Roberta Mameli - Astolfo

A specialist of Baroque music, she has a repertoire that goes up to the twentieth century. She is regularly invited to perform in the most important international venues, such as the Theater an der Wien, the Concertgebouw in Amsterdam, the Opéra de Versailles, the Tokyo Bunka Kaikan and the Teatro della Pergola in Florence. Among her most recent successes: Agrippina (Poppea) in Beaune with Sardelli; Handel’s Orlando (Angelica) in Versailles and Deidamia (Nerea) in Vienna with Curtis; Così fan tutte (Dorabella) in Tokyo with Terakado; Pergolesi’s L'Olimpiade (Aristea) in Krakow with Dantone; Il Novello Giasone (Isifile) by Cavalli/Stradella in Martina Franca; Vivaldi’s Teuzzone (Cino) in Versailles with Savall (recorded for Naïve).

Future plans include: Vivaldi’s Catone in Utica (recording and European tour) and Handel’s Amadigi (Oriana) with Il Complesso Barocco and Alan Curtis; Vivaldi’s L’incoronazione di Dario with Accademia Bizantina and Ottavio Dantone; solo concerts in Graz (Styriarte Festival), Viterbo (Festival Barocco) and Korkyra.